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Quentin Tarantino Named His Favorite Character From His Films — And It's Not Hard to Guess Who

Quentin Tarantino

The heroine is probably on your personal top list too.

Although Quentin Tarantino doesn’t have an extensive filmography, each of his nine films has become a true hit, long since broken down into quotes by fans.

Tarantino’s directorial style is distinguished not only by sharp plots and attention to specific, unusual details, but also by the depth of each individual character — which generally allows each Tarantino character to be considered truly unique. And yet, among all this variety, the director singles out just one character whose image has been iconic since the 1990s.

Mia Wallace is Quentin Tarantino’s Favorite Heroine

The director is considered one of the few contemporary filmmakers who has created genuinely unique and compelling female characters. As such, the main heroine of Pulp Fiction remains a favorite not only of global audiences but of Tarantino himself.

Pulp Fiction 1994

In one of his interviews, the director admitted that he fell in love with Mia because of her mysteriousness — according to Tarantino, he himself had no idea where she came from or what she did before meeting Vincent. He also added that the character had no real-life prototypes, which makes her truly unique, and that Mia reveals herself from completely different angles throughout the story.

Pulp Fiction Gained Cult Status in Part Thanks to Mia Wallace

In the film, the heroine was played by Uma Thurman, and the role later earned her nominations for an Oscar and a Golden Globe. Over time, Mia’s image became inseparable from Thurman herself — further convincing audiences that the actress was a perfect fit for the role, even though she initially had doubts about the quality of Tarantino’s script. Like the film itself, Mia Wallace is considered a cultural icon, having inspired many other female characters in global cinema — just think of Jane Margolis from Breaking Bad.

Overall, it’s clear that Tarantino’s talent isn’t limited to writing female characters — the director boasts a unique style, which makes it hard to call any of his films outright bad.

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