During the press conference for The Phoenician Scheme at Cannes, Wes Anderson remained coy about the specifics of his next film — but did offer one tantalising clue: “It will have darkness.” That’s not a word often associated with the pastel-tinted precision of Anderson’s cinematic world, but it may be the first hint of a tonal shift on the horizon. Adding to the intrigue is the news that he’s teaming up with a new co-writer: Richard Ayoade.
Ayoade, who delivered a scene-stealing performance in The Phoenician Scheme, is no stranger to Anderson’s visual language. His own directorial work — from Submarine to The Double — has long shared a love of deadpan delivery, stylised composition, and characters that feel one foot out of step with reality. Now, for the first time, he joins Anderson and longtime collaborator Roman Coppola at the writing table.
It’s a natural fit. Both Ayoade and Anderson have crafted careers steeped in aesthetic idiosyncrasy, and their partnership suggests a new kind of cinematic alchemy. Though Anderson’s signature remains intact, the suggestion of a darker tone hints at an evolution — or perhaps, a deliberate bending of the rules he once set for himself.
As for The Phoenician Scheme, early reviews have been politely divided: admired by loyalists, gently critiqued by those beginning to tire of Anderson's carefully calibrated whimsy. Still, for many, the prospect of Ayoade stepping behind the script — not just in front of the camera — is reason enough to stay tuned.
