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This Film Starring Cillian Murphy Is a Must-Watch for Fans of 'Interstellar' and 'Solaris' — Missing It Almost Criminal

Still from the movie 'Sunshine' (2007)

Watch it if you haven’t already.

If you’ve rewatched Solaris with awe and contemplated the nature of time with Interstellar, here’s another sci-fi film that might have flown under your radar — and it shouldn’t have. We’re talking about Sunshine, directed by Danny Boyle, with Cillian Murphy playing one of the key roles. And trust us, he’s not the only reason this film is worth seeing.

When the Sun Is Dying

The plot takes us into a near but terrifying future: the Sun is dying, and with it — the hope for life on Earth. Humanity’s last attempt is the space mission Icarus II, whose goal is to deliver a massive bomb to the dying star and reignite its thermonuclear activity.

Onboard are eight crew members, each with their own purpose. Cillian Murphy plays the physicist responsible for activating the device. Chris Evans plays the engineer, Michelle Yeoh the biologist tending to the oxygen-generating garden. Rose Byrne is the navigator. Together, they’re flying toward the light that can either burn or save them.

Stills from the film 'Sunshine'

Space Where Beauty Is More Terrifying Than Darkness

The film stuns with its atmosphere. This isn’t a loud blockbuster, but a meditative, almost hypnotic immersion into the silence of space, where every creak of the hull and every flash of light feels like a jolt to the nerves. The contrast between the blinding sunlight and the infinite darkness of space creates a sensation that the viewer is trapped between life and death.

The crew must not only battle technical failures and decisions that will determine the fate of the planet but also face their own fears. And special mention must be made of the sound design — the radio static and the breathing inside the spacesuit become part of the narrative. Such subtle details are rare in the genre.

Why the Film Isn’t Quite Perfect

It would have been flawless, if not for the second half. Where Sunshine could have remained a reflection on sacrifice and human responsibility, an antagonist is introduced — and the film briefly turns into a tense but more standard thriller. It doesn’t ruin the overall experience, but it does shift the focus a bit.

Sunshine

Still, Sunshine remains an outstanding film. It asks big questions, keeps you on edge, and impresses both visually and emotionally. And if you appreciate science fiction not only for its effects but for its depth, you should definitely give it a chance.

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